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<channel>
	<title>Arieh Frosh</title>
	<link>https://ariehfrosh.com</link>
	<description>Arieh Frosh</description>
	<pubDate>Tue, 16 Sep 2025 12:07:50 +0000</pubDate>
	<generator>https://ariehfrosh.com</generator>
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		<title>Home</title>
				
		<link>https://ariehfrosh.com/Home</link>

		<pubDate>Sat, 04 Jul 2020 17:11:02 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

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		<title>Info</title>
				
		<link>https://ariehfrosh.com/Info</link>

		<pubDate>Tue, 14 Jul 2020 22:19:47 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/Info</guid>

		<description>
Arieh Frosh is an artist currently based in London.


I work via an interdisciplinary approach, using writing, 3D computer animation, motorised sculptures, film and participation to form narrative-based projects. Some recent interests are around how technology, ecological and interspecies thinking can produce fictions that might question local contemporary conditions, and could form generative alternatives.


Since 2020, I have collaborated with artist Ed Compson, as well as university researchers, focus groups and schoolchildren, on a series of artworks, workshops, and research experiments. These have involved technologies that might only become visual through translation, from seabed scanning, to electromagnetic listening, to recording wind speed. We do this to engage with a world that operates — and is made operational — through non-visual means, with visual and material effects. This approach, combined with a critical employment of fiction and an experimental use of tools, allows for a questioning of how machine and ecological thinking operate, interpellate us, and affect imagination.
See:&#38;nbsp;aphoticdepths.xyz

From 2023-2025, we were East Gallery Fellows at Norwich University of the Arts. Our research considered how the meeting of contemporary offshore wind turbines with the geological history of Doggerland could be a tool to creatively explore the historical, cultural, and political narratives surrounding wind energy and oceanic thinking. The approach to this was through a responsive workshop practice, site visits, connections with archaeologists, filming, collaborative making and a varied technological practice.

From 2021-2025 I was a Producer of the Digital Programme at The Photographers’ Gallery, which focuses on social, ecological, aesthetic and political issues arising from the photographic image in network culture. The programme works on computational photography, synthetic imaging, digital labour, machine vision, automation and the camera. 
See: unthinking.photography


I am a graduate of the Royal College of Art, London and the University of Oxford.
*CV*Contact: 
ariehfrosh[at]hotmail.co.uk
@arieh.eh










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		<title>The New Scroby Sands Offshore Wind Farm Information Centre</title>
				
		<link>https://ariehfrosh.com/The-New-Scroby-Sands-Offshore-Wind-Farm-Information-Centre</link>

		<pubDate>Sun, 06 Apr 2025 20:04:24 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/The-New-Scroby-Sands-Offshore-Wind-Farm-Information-Centre</guid>

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The New Scroby Sands Offshore Wind Farm Information CentreEast Gallery, Norwich14/3/2025 - 7/6/2025An aphoticdepths.xyz projectAn exhibition that looks at the relationship between offshore wind energy and Doggerland, the submerged landmass that used to connect the UK to mainland Europe. Fully submerged around 8000 years ago, Doggerland was a place of human inhabitation and settlement. It is an area now understood through proxies: through seabed scanning and filming, sediment sampling, the finding or trawling of artefact. Offshore wind turbines are literally embedded in the same Doggerland earth – massive swathes of data arrive from scans taken for undersea cable routes that transfer energy from offshore wind farms in the middle of the North Sea to the shore. Presenting a mix of collected and adapted material from marine archaeological research and wind energy construction, The New Scroby Sands Offshore Wind Farm Information Centre positions the North Sea as a discursive site, informed by a looping, cyclical time; a nonlinear poetics of the sea. Read the full text here.
Photographs: Denisa Ilie

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	<item>
		<title>The Doggerland Energy Complex</title>
				
		<link>https://ariehfrosh.com/The-Doggerland-Energy-Complex</link>

		<pubDate>Tue, 16 Sep 2025 12:07:50 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

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		<description>

The Doggerland Energy Complex
2025
Film12 mins 35 secondsAn aphoticdepths.xyz project
A film that looks at the meeting between offshore wind energy and Doggerland, the submerged landscape that used to connect the UK to mainland Europe. The film frames this meeting through a nonlinear poetics of the North Sea, where archaeological exploration and speculative energy futures occur simultaneously. The film includes footage from the North Sea seabed taken during an expedition by the Submerged Landscape Research Centre from the University of Bradford in summer 2024. A voiceover reads entries from a sonar scan of the seabed commissioned by a wind energy company, looking at potential archaeological sites around the turbine bases. Other footage includes site visits with palaeoarchaeologists researching Doggerland; Scroby Sands Offshore Wind Farm; the North Sea filmed from on board the Excelsior sailing vessel; Siemens Gamesa blade factory in Hull, and the Norfolk Broads. &#38;nbsp;Voice: Macy NymanMusic: ‘No-show (You're Perfect To Me)’ from It Changes by Ailie Ormston and Tim Fraser, 2022.Commissioned as part of the East Gallery Fellowship, Norwich University of the Arts.


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A World of WaterSainsbury Centre, Norwich15/3/2025 - 3/8/2025&#60;img width="3162" height="3500" width_o="3162" height_o="3500" data-src="https://freight.cargo.site/t/original/i/2b96086f26316093eab76cac851f1f51e0b192c9775f78c14995225b4951f08d/A-World-of-Water_Sainsbury-Centre.-Photo--Kate-Wolstenholme_52-crop.jpg" data-mid="238282654" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/2b96086f26316093eab76cac851f1f51e0b192c9775f78c14995225b4951f08d/A-World-of-Water_Sainsbury-Centre.-Photo--Kate-Wolstenholme_52-crop.jpg" /&#62;Installation view, A World of Water, Sainsbury Centre, Norwich, 2025. Photo: Kate Wolstenholme

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Installation view, A World of Water, Sainsbury Centre, Norwich, 2025. Photo: Kate Wolstenholme
30,000 Years of Offshore Wind Energy Development2025Engraved Stainless Steel, Felt, Fired Sediment, Rope 120 x 42.5 x 42.5 cm
A plinth engraved with a map of the North Sea, spanning the waters between East Anglia, UK, and the Netherlands. The cut-out sections trace both existing offshore wind turbines and projected developments over the next decade.Suspended within the plinth is a fragment of fired sediment extracted from the North Sea seabed by Europe’s Lost Frontiers research group (The University of Bradford) in 2016. Taken from approximately a meter below the surface, the sediment is made up of glacial till dating back between 30,000 and 20,000 years.

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&#60;img width="3504" height="1972" width_o="3504" height_o="1972" data-src="https://freight.cargo.site/t/original/i/4028b94f02ffd99a0ab2659d9f3ee33d528ab7ecc16b560c186c82124d63136d/30000YearsDetail2SMALL.jpg" data-mid="238282648" border="0"  src="https://freight.cargo.site/w/1000/i/4028b94f02ffd99a0ab2659d9f3ee33d528ab7ecc16b560c186c82124d63136d/30000YearsDetail2SMALL.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>East Gallery Fellowship WIP</title>
				
		<link>https://ariehfrosh.com/East-Gallery-Fellowship-WIP</link>

		<pubDate>Sun, 22 Sep 2024 11:34:00 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/East-Gallery-Fellowship-WIP</guid>

		<description>East Gallery Fellowship WIP
Norwich University of the Arts
2023-2025Together with Ed Compson, our current research considers how the meeting of contemporary offshore wind turbines with the geological history of Doggerland could be a tool to creatively explore the historical, cultural, and political narratives surrounding wind energy and oceanic thinking. The approach to this is through a responsive workshop practice, site visits, connections with archaeologists, filming, collaborative making and a varied technological practice.
The fellowship culminates in an exhibition at East Gallery, Norwich in March 2025. Documented here are a series of workshops, research trips and talks that have taken place throughout 2024.

&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/61b79df6f1a40aea44dd1427bb64f6f2dff9172c2e8ffec9eabe3136368320ac/Scrobyworkshop4.jpg" data-mid="218470470" border="0"  src="https://freight.cargo.site/w/1000/i/61b79df6f1a40aea44dd1427bb64f6f2dff9172c2e8ffec9eabe3136368320ac/Scrobyworkshop4.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/b49d76fb6edd600a1940fd891f9f4af600cd7feabedae23db716e058f451e571/BoardroomOrbis3.jpg" data-mid="218470456" border="0"  src="https://freight.cargo.site/w/1000/i/b49d76fb6edd600a1940fd891f9f4af600cd7feabedae23db716e058f451e571/BoardroomOrbis3.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/5f2c064b5c4732768b61524a61c24d2478566b77235f0d23946fb67f31af22ea/DoggerlandPencils.jpg" data-mid="218470460" border="0"  src="https://freight.cargo.site/w/1000/i/5f2c064b5c4732768b61524a61c24d2478566b77235f0d23946fb67f31af22ea/DoggerlandPencils.jpg" /&#62;&#60;img width="3554" height="3840" width_o="3554" height_o="3840" data-src="https://freight.cargo.site/t/original/i/31742c2b097f9c43999df28d9956ec24c6561abf3b5f6e1b86800c01186139be/map-table-web.jpg" data-mid="218486346" border="0"  src="https://freight.cargo.site/w/1000/i/31742c2b097f9c43999df28d9956ec24c6561abf3b5f6e1b86800c01186139be/map-table-web.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/f6a8e6028ad5453bc01ea193b246ab5b8d8ef89652956e2ef3eb593641f46b2d/Exelsior2.jpg" data-mid="218470463" border="0"  src="https://freight.cargo.site/w/1000/i/f6a8e6028ad5453bc01ea193b246ab5b8d8ef89652956e2ef3eb593641f46b2d/Exelsior2.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/f1dd9c5afdf11219e2a34201fb948560e836957fc1b7406d549025cd54c2f8c1/DoggerlandLampeter2.jpg" data-mid="218470459" border="0"  src="https://freight.cargo.site/w/1000/i/f1dd9c5afdf11219e2a34201fb948560e836957fc1b7406d549025cd54c2f8c1/DoggerlandLampeter2.jpg" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/56c5e6acc931dbf53c0d9f7eafa91b6a59b5f40cab9bc357d9e4f0b3892f3805/GoingtomeetSea.jpg" data-mid="218470464" border="0"  src="https://freight.cargo.site/w/1000/i/56c5e6acc931dbf53c0d9f7eafa91b6a59b5f40cab9bc357d9e4f0b3892f3805/GoingtomeetSea.jpg" /&#62;&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/29b138df87036c425a49d2fb7fe5848175907108fc2792452e0292f28d2619cb/RKETalk.jpg" data-mid="218470465" border="0"  src="https://freight.cargo.site/w/1000/i/29b138df87036c425a49d2fb7fe5848175907108fc2792452e0292f28d2619cb/RKETalk.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/e8039d4be47b9eab9927f9ac66327cef93f5c3d03b8c5bd69e373608305673ad/SedimentStore.jpg" data-mid="218470471" border="0"  src="https://freight.cargo.site/w/1000/i/e8039d4be47b9eab9927f9ac66327cef93f5c3d03b8c5bd69e373608305673ad/SedimentStore.jpg" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/398d418a5d984e257b6c6174d597ea423eb7924da749770070c6c18d31e25bd3/SedimentWorkshop.jpg" data-mid="218470472" border="0"  src="https://freight.cargo.site/w/1000/i/398d418a5d984e257b6c6174d597ea423eb7924da749770070c6c18d31e25bd3/SedimentWorkshop.jpg" /&#62;&#60;img width="828" height="1792" width_o="828" height_o="1792" data-src="https://freight.cargo.site/t/original/i/66ee6ca4b66dde579c4d6d3c2c32828eed206bc8a5758245c75992c309f5012e/SedimentWorkshopStill.jpg" data-mid="218470473" border="0"  src="https://freight.cargo.site/w/828/i/66ee6ca4b66dde579c4d6d3c2c32828eed206bc8a5758245c75992c309f5012e/SedimentWorkshopStill.jpg" /&#62;&#60;img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/532cbaaf4da597607b25425d1c2223f6648e7bcc1ba468d3c209a7146a9f032d/TurbinesNight-web.jpg" data-mid="218486349" border="0"  src="https://freight.cargo.site/w/1000/i/532cbaaf4da597607b25425d1c2223f6648e7bcc1ba468d3c209a7146a9f032d/TurbinesNight-web.jpg" /&#62;&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/d30d24c02e32ce3f93a8971ab766c96150d10c698c4ed7de322525f5fda6c0c7/Saltmarsh-web.jpg" data-mid="218486347" border="0"  src="https://freight.cargo.site/w/1000/i/d30d24c02e32ce3f93a8971ab766c96150d10c698c4ed7de322525f5fda6c0c7/Saltmarsh-web.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>A ˢhˡaͥuͫnͥᶰtᵍing at Plicnik Space Initiative</title>
				
		<link>https://ariehfrosh.com/A-h-a-u-n-t-ing-at-Plicnik-Space-Initiative</link>

		<pubDate>Sun, 22 Sep 2024 11:02:38 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/A-h-a-u-n-t-ing-at-Plicnik-Space-Initiative</guid>

		<description>
A ˢhˡaͥuͫnͥᶰtᵍing at&#38;nbsp;Log 1: �’s 74th Birthday Party
2024Plicnik Space Initiative, London
05.04.2024–02.06.2024 
Arieh Frosh, Ilê Sartuzi, Eetu Sihvonen
As part of a group exhibition set in the aftermath of a 1980s birthday party, A ˢhˡaͥuͫnͥᶰtᵍing (2024) was shown on a CRT television. 

A ˢhˡaͥuͫnͥᶰtᵍing (2024) is a film with intersecting themes: the first, a comparison of visual effects between the 1980s and now, taking the character of Slimer as one that has slipped from childhood VHS to become manipulable on personal 3D software. A move that started with a 1984 rubber and spandex model based on a nighttime vision of John Belushi, who is dragged into 2024 as a CGI sequel — a haunting made material. The second theme looks at how past decisions shape the present, how the traces of decision making might recur and recur. Possible life routes diverted in a moment of sliming.


A ˢhˡaͥuͫnͥᶰtᵍing uses a 3D model that is freely available online, which is then animated and placed within phone footage shot over the last two months. The film is accompanied by laser engraved pieces composed of texture maps, diagrams and photographs. 

Installation by Amélie Mckee and Melle Nieling.
Made possible in part by a contribution from the Mondriaan Fund.
plicnik.space

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&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/803ddc02a64a1bb8496758980595a1e5b3e810d8854c0848bc53fee95c13c1de/Plicnik_Log-1_Arieh-Frosh_00255.jpg" data-mid="218469572" border="0"  src="https://freight.cargo.site/w/1000/i/803ddc02a64a1bb8496758980595a1e5b3e810d8854c0848bc53fee95c13c1de/Plicnik_Log-1_Arieh-Frosh_00255.jpg" /&#62;

&#60;img width="2402" height="1800" width_o="2402" height_o="1800" data-src="https://freight.cargo.site/t/original/i/965b4256b8550c9d2a0c3e4c46a983eb387f917bd82d222f0e6dc8ea2f60f2b1/ASlimingStill02web.jpg" data-mid="218469594" border="0"  src="https://freight.cargo.site/w/1000/i/965b4256b8550c9d2a0c3e4c46a983eb387f917bd82d222f0e6dc8ea2f60f2b1/ASlimingStill02web.jpg" /&#62;

&#60;img width="2400" height="1800" width_o="2400" height_o="1800" data-src="https://freight.cargo.site/t/original/i/1e36b30d03f6bd7672be5df2c5a02c0269167dbec2d54345bd9557d7fe397902/ASlimingStill06web.jpg" data-mid="218469604" border="0"  src="https://freight.cargo.site/w/1000/i/1e36b30d03f6bd7672be5df2c5a02c0269167dbec2d54345bd9557d7fe397902/ASlimingStill06web.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f3bb1c3eb274d735a1eb061947a8c714ed8e06b49dcf36e72a53111fd7750451/Plicnik_Log-1_install_00217.jpg" data-mid="218469575" border="0"  src="https://freight.cargo.site/w/1000/i/f3bb1c3eb274d735a1eb061947a8c714ed8e06b49dcf36e72a53111fd7750451/Plicnik_Log-1_install_00217.jpg" /&#62;

&#60;img width="2398" height="1800" width_o="2398" height_o="1800" data-src="https://freight.cargo.site/t/original/i/bc77b7af815c900a04543eb2df08bbb0ec6d52bf2ad9680f44bb898fb1bb0be6/ASlimingStill01web.jpg" data-mid="218469593" border="0"  src="https://freight.cargo.site/w/1000/i/bc77b7af815c900a04543eb2df08bbb0ec6d52bf2ad9680f44bb898fb1bb0be6/ASlimingStill01web.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6ff82a724c15c4af6c2518891287cc872e32444d0a09fc05a1a156b713ec044f/Plicnik_Log-1_install_00253.jpg" data-mid="218469576" border="0"  src="https://freight.cargo.site/w/1000/i/6ff82a724c15c4af6c2518891287cc872e32444d0a09fc05a1a156b713ec044f/Plicnik_Log-1_install_00253.jpg" /&#62;

&#60;img width="2212" height="1800" width_o="2212" height_o="1800" data-src="https://freight.cargo.site/t/original/i/81600c2e772a003772e08a161d15a1475c986c81b98fa3e540d483eddd4556f2/ASlimingStill08web.jpg" data-mid="218469597" border="0"  src="https://freight.cargo.site/w/1000/i/81600c2e772a003772e08a161d15a1475c986c81b98fa3e540d483eddd4556f2/ASlimingStill08web.jpg" /&#62;

&#60;img width="2402" height="1800" width_o="2402" height_o="1800" data-src="https://freight.cargo.site/t/original/i/7f25f5ce3a722b457c531e6128a381485eb3cce18cf471b6911d5d073c433c77/ASlimingStill04web.jpg" data-mid="218469595" border="0"  src="https://freight.cargo.site/w/1000/i/7f25f5ce3a722b457c531e6128a381485eb3cce18cf471b6911d5d073c433c77/ASlimingStill04web.jpg" /&#62;

&#60;img width="2400" height="1800" width_o="2400" height_o="1800" data-src="https://freight.cargo.site/t/original/i/6b928d547a515a40ad18c77a7421969da71d971920508875ddf7a75ae298ef32/ASlimingStill05web.jpg" data-mid="218469596" border="0"  src="https://freight.cargo.site/w/1000/i/6b928d547a515a40ad18c77a7421969da71d971920508875ddf7a75ae298ef32/ASlimingStill05web.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/20443c01cf30aa9f4cbac49697ee33039dec635f87e6f02bd8d4df6851b1715e/Plicnik_Log-1_install_00196.jpg" data-mid="218469573" border="0"  src="https://freight.cargo.site/w/1000/i/20443c01cf30aa9f4cbac49697ee33039dec635f87e6f02bd8d4df6851b1715e/Plicnik_Log-1_install_00196.jpg" /&#62;

&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/154e26175dffd49b3d07d7a3791660472d1751c9a3e705daef243ab60ef69877/Plicnik_Log-1_Arieh-Frosh_00247.jpg" data-mid="218469570" border="0"  src="https://freight.cargo.site/w/1000/i/154e26175dffd49b3d07d7a3791660472d1751c9a3e705daef243ab60ef69877/Plicnik_Log-1_Arieh-Frosh_00247.jpg" /&#62;

&#60;img width="1600" height="2400" width_o="1600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/fecc5efeb2c230cda828db52d1a914c3478f874df3a5d91629c0c9814afabb36/Plicnik_Log-1_Arieh-Frosh_00251.jpg" data-mid="218469571" border="0"  src="https://freight.cargo.site/w/1000/i/fecc5efeb2c230cda828db52d1a914c3478f874df3a5d91629c0c9814afabb36/Plicnik_Log-1_Arieh-Frosh_00251.jpg" /&#62;

&#60;img width="1200" height="1697" width_o="1200" height_o="1697" data-src="https://freight.cargo.site/t/original/i/91b734578fc990159f91b717e3a574835d4a064400ccb859ebbe48aa123a57d0/LOG1-Plicnik-A4poster.jpg" data-mid="218469622" border="0"  src="https://freight.cargo.site/w/1000/i/91b734578fc990159f91b717e3a574835d4a064400ccb859ebbe48aa123a57d0/LOG1-Plicnik-A4poster.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Beta Slumping</title>
				
		<link>https://ariehfrosh.com/Beta-Slumping</link>

		<pubDate>Wed, 08 Nov 2023 11:41:58 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/Beta-Slumping</guid>

		<description>Beta Slumping2023An exhibition at Sexy Frog Biscuit that brings together two incidents of slumping, of failing to stay upright.The first: based on a scene of dying Echium Pininana, and hinting at movements in plants, from phototropism, circumnutation, to localised networked communication. A series of motorised plant-like floor sculptures that twitch, and at times, shuffle. Their downward arcs have opened up another way of being, one that is connected and communicative. A de-verticalised autonomous shrubbery. The second: custom branded cheese toasties recall a seizure-induced episode in an outdoor cafe. A bending backwards that counters the scene, and finds a way out of there.
Read the handout here.
Floor: silicone, pvc, motors, programming, clamps
Wall: laser engravings on aluminium composite - renders with adapted diagrams from the Darwins’ The Power of Movement in Plants - 48 x 45cm
Custom branded cheese toasties, booklet
Installation photos: Alexei Izmaylov

&#60;img width="2800" height="2400" width_o="2800" height_o="2400" data-src="https://freight.cargo.site/t/original/i/85c5f2a3960a3e7901cae5bd7b70f481a5cbef7b7d6f404f4b723d1624e681fd/Arieh-Frosh_Sexy-Frog-Bsicuit_01.jpg" data-mid="196235525" border="0"  src="https://freight.cargo.site/w/1000/i/85c5f2a3960a3e7901cae5bd7b70f481a5cbef7b7d6f404f4b723d1624e681fd/Arieh-Frosh_Sexy-Frog-Bsicuit_01.jpg" /&#62;

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&#60;img width="436" height="776" width_o="436" height_o="776" data-src="https://freight.cargo.site/t/original/i/c96fbd3302af408e1e07594d9bd339fcddda1c10e7e16a468b9c70804f8df6ce/shrubmoves.gif" data-mid="196238968" border="0"  src="https://freight.cargo.site/w/436/i/c96fbd3302af408e1e07594d9bd339fcddda1c10e7e16a468b9c70804f8df6ce/shrubmoves.gif" /&#62;




&#60;img width="2800" height="2400" width_o="2800" height_o="2400" data-src="https://freight.cargo.site/t/original/i/38be85d0ef7400b6a7800891b6851964838acbb6f1300becdd347c4338c942fb/Arieh-Frosh_Sexy-Frog-Bsicuit_06.jpg" data-mid="196235937" border="0"  src="https://freight.cargo.site/w/1000/i/38be85d0ef7400b6a7800891b6851964838acbb6f1300becdd347c4338c942fb/Arieh-Frosh_Sexy-Frog-Bsicuit_06.jpg" /&#62;

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&#60;img width="252" height="448" width_o="252" height_o="448" data-src="https://freight.cargo.site/t/original/i/b696293b2e43b82bbeb884198c27a7f1fd5981c1447a91585b34ddfbdcf146f8/ToastieBranding.gif" data-mid="196809693" border="0"  src="https://freight.cargo.site/w/252/i/b696293b2e43b82bbeb884198c27a7f1fd5981c1447a91585b34ddfbdcf146f8/ToastieBranding.gif" /&#62;&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/61f779f2f78775709d0ecad2474ebbf7262dbb56ec9bff147070ef4ef7f9ae61/FeetPlant04.png" data-mid="196237545" border="0"  src="https://freight.cargo.site/w/1000/i/61f779f2f78775709d0ecad2474ebbf7262dbb56ec9bff147070ef4ef7f9ae61/FeetPlant04.png" /&#62;
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	<item>
		<title>Ornithanthropon, 2022</title>
				
		<link>https://ariehfrosh.com/Ornithanthropon-2022</link>

		<pubDate>Thu, 16 Jun 2022 13:48:19 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/Ornithanthropon-2022</guid>

		<description>Ornithanthropon
2022
3D powder prints, motors, programming, perspex, stands Brass plates, velvet cushionsPhoto books, diagrams, text

&#60;img width="2000" height="3001" width_o="2000" height_o="3001" data-src="https://freight.cargo.site/t/original/i/65dbc245e93d8c0580f1a68fbe7021c369d7dd9bf0d0eb7e41d6d77931c2ed72/02-web.jpg" data-mid="145595297" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/65dbc245e93d8c0580f1a68fbe7021c369d7dd9bf0d0eb7e41d6d77931c2ed72/02-web.jpg" /&#62;
A series of motorised sculptures of ‘harpies’ (which are typically bird-woman hybrids). The motors move the heads of the harpies at variable speeds, sometimes alone and sometimes simultaneously, or in conversation with one another. They are displayed alongside miniature books that reflect on committee-led and probabilistic approaches to decision making through diagrams, photography and collages. 

A continuation of Ornithanthron


&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/47c54477956a076100ae8a37436dd18bf302994a8bffa004f67a22c650efdd64/03-web.jpg" data-mid="145595327" border="0"  src="https://freight.cargo.site/w/1000/i/47c54477956a076100ae8a37436dd18bf302994a8bffa004f67a22c650efdd64/03-web.jpg" /&#62;

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&#60;img width="1436" height="2017" width_o="1436" height_o="2017" data-src="https://freight.cargo.site/t/original/i/b5f431c1e851620116dc65a54f54bf999b6f9f8fb12704e10ac8646a181f40f7/brassplateWEB.jpg" data-mid="157074501" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/b5f431c1e851620116dc65a54f54bf999b6f9f8fb12704e10ac8646a181f40f7/brassplateWEB.jpg" /&#62;

&#60;img width="3255" height="2170" width_o="3255" height_o="2170" data-src="https://freight.cargo.site/t/original/i/0392b3eba2b205f1808ab237521288a6400d00967684a08918349e2c6a43fbf5/OrnithanBrusselsWEB.jpg" data-mid="157074659" border="0"  src="https://freight.cargo.site/w/1000/i/0392b3eba2b205f1808ab237521288a6400d00967684a08918349e2c6a43fbf5/OrnithanBrusselsWEB.jpg" /&#62;
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	<item>
		<title>The Gastro-Optic Cable Company</title>
				
		<link>https://ariehfrosh.com/The-Gastro-Optic-Cable-Company</link>

		<pubDate>Thu, 01 Sep 2022 14:43:42 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/The-Gastro-Optic-Cable-Company</guid>

		<description>The Gastro-Optic Cable Company
20223D &#38;amp; 2D animation
9.5 minutes

&#60;img width="3089" height="2059" width_o="3089" height_o="2059" data-src="https://freight.cargo.site/t/original/i/3eb0f7dbb59724764f818bcc57db551e85f980c5bd07e8e26532b70ced158388/GastroBrusselsWeb.jpg" data-mid="157073639" border="0"  src="https://freight.cargo.site/w/1000/i/3eb0f7dbb59724764f818bcc57db551e85f980c5bd07e8e26532b70ced158388/GastroBrusselsWeb.jpg" /&#62;

The Gastro Optic Cable Company is a computer animation, including 3D and 2D approaches, accompanied by a soundscape and VoiceOver.


The animation consists of a fresco of creatures and objects that have grown on a wall, tangled together by bio-technical tubes. They survive on the energy from the tubes, which are both gastrointestinal tract and ﬁbre optic cable. 


The animation asks what kinds of frescos could ‘grow’ from the contemporary coming-together of networked technology, bio-matter, and myths. It asks how information spreads, and how it mixes with varied personal experiences.


Throughout the animation, each of the creatures and objects are isolated one by one. The VoiceOver and overlaid diagrammatic animations reveal a mix of information about the objects, along with fictional/non-fictional stories.  


View the film here

Installation views are from the exhibition ‘Sit Back, Relax, and Enjoy the Apocalypse’ at LaVallée, Brussels, as part of Brussels Gallery Weekend 2022. 


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7367983bb839f425e37d10e6a59d47e10887c42c33813de6f61810f82e0ae69b/GastroOpticstill06.jpg" data-mid="151839984" border="0"  src="https://freight.cargo.site/w/1000/i/7367983bb839f425e37d10e6a59d47e10887c42c33813de6f61810f82e0ae69b/GastroOpticstill06.jpg" /&#62;

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&#60;img width="2943" height="1962" width_o="2943" height_o="1962" data-src="https://freight.cargo.site/t/original/i/b9b79f05f3001444bfa1fda86a496d70a5e2031626dc89429bb3ecbfe6d94b6f/GastroBrusselsWeb2.jpg" data-mid="157073640" border="0"  src="https://freight.cargo.site/w/1000/i/b9b79f05f3001444bfa1fda86a496d70a5e2031626dc89429bb3ecbfe6d94b6f/GastroBrusselsWeb2.jpg" /&#62;

&#60;img width="1920" height="1078" width_o="1920" height_o="1078" data-src="https://freight.cargo.site/t/original/i/400a243d2041ad6feff4b37ac7ac296772cb7fbade59193313fca7267cc065b8/fresco_10001.00_04_24_03.Still003.jpg" data-mid="157073856" border="0"  src="https://freight.cargo.site/w/1000/i/400a243d2041ad6feff4b37ac7ac296772cb7fbade59193313fca7267cc065b8/fresco_10001.00_04_24_03.Still003.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a2977b46f1f90eebf4094a38fa422e76a6386d0064130902c7f22893643e0640/fresco_10001.00_07_02_06.jpg" data-mid="157073865" border="0"  src="https://freight.cargo.site/w/1000/i/a2977b46f1f90eebf4094a38fa422e76a6386d0064130902c7f22893643e0640/fresco_10001.00_07_02_06.jpg" /&#62;
</description>
		
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	<item>
		<title>SPUR</title>
				
		<link>https://ariehfrosh.com/SPUR</link>

		<pubDate>Sat, 22 May 2021 11:30:58 +0000</pubDate>

		<dc:creator>Arieh Frosh</dc:creator>

		<guid isPermaLink="true">https://ariehfrosh.com/SPUR</guid>

		<description>SPUR
2020/21

&#60;img width="2362" height="2717" width_o="2362" height_o="2717" data-src="https://freight.cargo.site/t/original/i/b4e48743d24f5936cf10f2ac4b804ee0facaed7d533ca0712439e7bf878c0dbf/572RebekkasBagOBones2021.jpg" data-mid="109193744" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/b4e48743d24f5936cf10f2ac4b804ee0facaed7d533ca0712439e7bf878c0dbf/572RebekkasBagOBones2021.jpg" /&#62;
SPUR.world


572-𝘙𝘦𝘣𝘦𝘬𝘬𝘢'𝘴 𝘉𝘢𝘨 𝘖'𝘉𝘰𝘯𝘦𝘴 is a dispersed system of bags of bones. When clicked on, each bag reveals narratives, observations, sensory encounters and operates as a probabilistic network - the order of bags chosen influences the text, videos, and images seen. Made as part of the virtual residency and exhibition platform SPUR, the work features films and conversations conducted at The Lemba Archaeological Research Centre, Cyprus.&#38;nbsp; 

572-𝘙𝘦𝘣𝘦𝘬𝘬𝘢'𝘴 𝘉𝘢𝘨 𝘖'𝘉𝘰𝘯𝘦𝘴 mediates on rigid &#38;amp; malleable; bone &#38;amp; sack; exoskeleton &#38;amp; soft inner (an inversion), in relation to categorisation processes. 




&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/61502ef29f732ea2c94749ee18c0e457f3a2fc070c30727f2fd3272f213784a2/BayesianBagDiagram.png" data-mid="109197912" border="0" data-scale="71" src="https://freight.cargo.site/w/800/i/61502ef29f732ea2c94749ee18c0e457f3a2fc070c30727f2fd3272f213784a2/BayesianBagDiagram.png" /&#62;
&#60;img width="2880" height="1614" width_o="2880" height_o="1614" data-src="https://freight.cargo.site/t/original/i/7bfc24082218edc6a3bee2fb8818dee3a11ff6a5e7dcbc987781eb69b9ebb50b/SpurArieh-still02.jpg" data-mid="109194717" border="0"  src="https://freight.cargo.site/w/1000/i/7bfc24082218edc6a3bee2fb8818dee3a11ff6a5e7dcbc987781eb69b9ebb50b/SpurArieh-still02.jpg" /&#62;

&#60;img width="2880" height="1622" width_o="2880" height_o="1622" data-src="https://freight.cargo.site/t/original/i/6abb3ecdb647fc418838116cbc6dc4aaebaaf20ce3a06b5a352ef88dc1f8046c/Screenshot-2021-05-03-at-17.44.57.png" data-mid="109197702" border="0"  src="https://freight.cargo.site/w/1000/i/6abb3ecdb647fc418838116cbc6dc4aaebaaf20ce3a06b5a352ef88dc1f8046c/Screenshot-2021-05-03-at-17.44.57.png" /&#62;

&#60;img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/3e453e42d857815872ffb865bd0527038036976cc0bab1921e7957d3ae122328/SpurArieh-still03.jpg" data-mid="109194718" border="0"  src="https://freight.cargo.site/w/1000/i/3e453e42d857815872ffb865bd0527038036976cc0bab1921e7957d3ae122328/SpurArieh-still03.jpg" /&#62;

&#60;img width="2470" height="1376" width_o="2470" height_o="1376" data-src="https://freight.cargo.site/t/original/i/88fbf98aee6c7e830eae850518e4fa56b610c87235b6b4f827ce8a7fc5963180/06-Still-RebekkasBagOBones-03.png" data-mid="144397725" border="0"  src="https://freight.cargo.site/w/1000/i/88fbf98aee6c7e830eae850518e4fa56b610c87235b6b4f827ce8a7fc5963180/06-Still-RebekkasBagOBones-03.png" /&#62;

Links:
SPUR main website
SPUR.world exhibition portal (unity)
572-Rebekka’s Bag O’Bones (unity)
PALFREY, London feature

“SPUR - a virtual residency platform uniting international graduates working across digital mediums. Spanning workshops, collaboration, and mentorship, the residency program facilitates new methodologies for working collectively online. 
The fourteen SPUR residents explore the boundaries of their digital practice through a pseudo identity. In the culmination of this period of research and exchange, SPUR.WORLD employs the avatars’ speculative look in forming digital identity and environment. Consisting of fourteen virtual worlds, the online exhibition represents the subconscious domain of the residents' custom avatars. Working within themes and representations of mysticism, ritual, and the natural world, the collective utilises game engine technology to form complex yet cohesive narratives.”


SPUR 2020/2021 CORE ARTISTSZhang OO, Sade Arellano, Nicholas Delap, Emma Dolan, Jordan Edge, Arieh Frosh, Benjamin Hall, Yifan He, Elijah Kennedy, Nuka Nayu, Kerolaina Linkevica, Niamh Lynch, Kinnari Saraiya, and Ellie Towers.SPUR is produced by Chaos Magic, Omsk Social Club and D-UNIT. SPUR is presented in partnership with Arts University Bournemouth, Liverpool John Moores University, Cursor, WARP, Resolume, and PALFREY.&#38;nbsp;SPUR and its public programme are generously supported by Arts Council England.

SPUR.WORLD and resulting programming is hosted by the following UK partners: Arebyte, London; Chaos Magic, Nottingham; D-UNIT, Bristol; Eastside Projects, Birmingham; PALFREY, London; QUAD, Derby.




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